since summer 2016, ‘keep on’ has been doing the rounds in the house music community, with support from some of the biggest names on the circuit playing the track on a week-by-week basis. initially made off the cuff as a tribute to chicago’s ghetto house sound and inspired by the dc10 terrace, the track went onto become something of a monster that the young scottish producer never anticipated. after 6 months after constant requests the track will finally be publicly available. upfront high and energy drums combine with brash vocal samples to make the track a dance floor weapon for a peak time dancefloor. on the flip ‘antonio’s keys’ takes things deeper, the track works percussion into more thumping 4x4 kick drums whilst the hypnotic lead line pushes the track forward into the early hours of the morning. limited to 300 hand stamped copie

elizabeth merrick-jefferson is one of those artists who seem low-key. theres not a lot of information about her, if any, except for the existence of the first two records and a lone interview. one released in 2013 and the other in 2014. listening to either record tells you her music might be a lot of things, but low-key isnt one of them. powerful and colourful, direct, and with 313 references embedded in its dna, she pulls it off with style. elizabeths third record is no exception. it has found its home on our mothership label, burek. three happiness is tailor-made for the dance floor. it wont leave anyone with a pulse standing. playful synths, wonderful strings, and infectious groove make it impossible to ignore. knowledge revolution is layered and paced, painting a somewhat different picture. melancholy and a sense of mystery envelop this track, whose leitmotif vocal appears just frequently enough to provide insight into the title. the last track of this ep is fittingly titled noctilucent clouds. its a drumless track with a rhythmic main synth counterpointed by sounds which give off the impression of clouds shining through the darkness of winter nights. another amazing release from burek.

suction records is thrilled and honoured to announce the reissue of d arcangelo s self-titled debut ep for rephlex, the legendary uk label run by aphex twin and grant wilson-claridge from 1991-2013. d arcangelo are the italian duo of brothers fabrizio and marco d arcangelo, active in the underground electronic scene under various aliases since the early 90s, and still going strong today. released in 1996, their rephlex debut -d arcangelo- was one of the first releases to make a firm connection between contemporary idm/electronix and the sound of 80s synth pop. the 3 tracks on side a are ripping, industrial-strength electronix, as fierce, crunchy and menacing anything aphex twin himself had released at the time. in sharp contrast, side b s 3 tracks are playful, clean and melodic instrumental synthpop, with clear synthetic references to bands like depeche mode and omd. it was a sound that was certainly not in fashion at the time, and helped the ep stand out in 1996, for that very reason.

it is an honor for 7777 to present its 13th release featuring dmx krew and yuri suzuki. side a brings you straight house attitude. b side strips it down and adds the acid. these songs are perfect for your record bag.

andrew numb makes his debut on modelhart with the calling ep. he drops 3 tracks with a remix by reggie dokes. the title track calling is a deep techno track inspired by 90s classical detroit techno. reggie dokes drops the tempo and make a slower house tweek of the same title track. on the flipside andrew drops 2 tracks for the dancefloor in the from of seashores and the filters are back!.

a staple album since its release in 1998, heavenly is as relevant today as it was twenty years ago. it turned heads everywhere, got the underground scene buzzing and set dance floors ablaze like an accomplished pyromaniac. now, the album is back for another round of techno-flavored goodness. revisited, tweaked and rearranged by kevin saunderson under his e-dancer moniker, the album not only comes with additional material in addition to the 1998 originals, but is also poised to fuel a number of exclusive e-dancer live shows. a collection of songs sure to keep the dance floor ablaze for decades, ‘heavenly’ (revisited) is set to make history once more

transit records 005, -without end hours“, comes loaded with phat, but definitely distinct dancefloor bangers that take the title of the ep quite literally. they cover a full night (and day) out in the club, and range from dark, technoish house („when your groove is mine-), over uplifting re-interpretations of classic house anthems (-without end hours-), and dystopian tech-house (negativ dekadent remix), through to sizzling after hour house (zuckermann remix). ryoma sasaki’s originals show his love for classic electronic music blueprints and how he is able to turn them creatively into something compellingly fresh and contemporary. it feels like listening (and dancing) to something you know, but not from the past, more so from the now. and while they wonderfully work in that now of the night, negativ dekadent turns this familiar feeling into an uneasiness with the future, only to make you forget about it in the abyss of his beats and overwhelming synth patterns just before the morning breaks. finally, zuckermann fully beams you into the slightly distorted new world you might find yourself in anyway at 11 am on a beautiful sunny morning on one of those (berlin) dancefloors.

baker’s dozen heads back to the east coast where veteran producer marco polo brings a welcomed boom bap flavor to the series. new york city is the birthplace of fat beats (and as many would say, hip-hop in general) and current nyc resident marco polo is true to form in representing our roots. as always, every volume of bdz features one artist and twelve tracks (with limited random copies including the baker’s dozen bonus track on a flexidisc) and comes equipped with a 5x7” postcard insert that features a photo of the artist’s workspace along with the equipment used in their music making process. a personal narrative of how they got into beat making in the first place is featured on the back of the jacket. visually cohesive and packaged with the utmost attention to detail, baker’s dozen is a series that speaks up for artists whose craft renders voices superfluous, and whose instrumentals alone suffice to make a statement.

desiderii marginis long out of print debut album from 1997 “songs over ruins” is given a proper re-issue, carefully remastered by johan levin himself and with new artworks as cd and limited edition lp. a landmark in the genre, with it’s desolate, minimalistic and grief stricken odes to religious and spiritual burdens. a foray through abandoned ruins and a reflection on the passing of time and the impermanence of all things physical. outstanding in quality and production skills, this mesmerizing and foreboding journey is at times tranquil and melodic and also dives into more martial like percussive elements and industrial atmospheres. classics like these definitely need to be discovered still and also rediscovered, and it’s with great pleasure that we make it available once again.

nach sechs mixtapes, drei eps, zwei büchern sowie seinem debütalbum “loop up” (2015) veröffentlicht us-rapper mod sun aus minnesota nun den nachfolger “movie” mit features von d.r.a.m, maty noyes, blackbear, gnash, dej loaf, rich the kid und mansionz (mike posner & blackbear).

collages are a marvelous thing, every now and then, almost a magical thing. the process of layering materials that were not meant to ft together, such as fabrics with photos, is one of constant choice and assessment. maybe these could ft with those? how can i make this sit well with that? as with physical objects, the process of creating sound collages will have you up late considering… contemplating… calculating… it can leave the strongest of minds numb. but then, all of a sudden, a magic moment occurs. these weirdly ft with those, this somehow blends perfectly with that, and creation just… happens. it will never cease to amaze me how some silky chords recorded on a sunny ohio day, seem destined to be paired with a stumbling polish drumbreak. that is the mind boggling, time traveling magic of beats. pieces of sound, from different times and places, sometimes appear to be made for each other with these words in mind from lyricist ivan ave, we present to you ol burger beats sophomore lp mind games. the frst lp on the newly founded label mutual intentions, and one of the most thematic releases weve done to this day. ol’ burger is known in the beatmaking circles for his jazzy sound and great drums. with his latest unreleased instrumentals ep well received, its now time to let the rappers jump on his beats. the feature-list includes underground heavy hitters like chester watson, jeremiah jae, quelle chris, ivan ave, fly anakin & koncept jack$on and kami from savemoney.

the second installment for the label comes from sheffield based artist tommy vicari jnr. the ep starts with always be here, track which gives the release the name and sets up the mood with an uplifting vibe. rudow explores more esoteric realms, bringing you into deeper states of mind. ramshackles ventures into more dub influenced territory, expansive chords and a twisted beat make it a monster in big sound systems. untoucome closes the ep with a heavy bassline, sprinkled with some tripped out sounds making it perfect for a closing trip.

next up on aus music is the welcome return of a good friend and label regular - the ever ascendant marquis hawkes. having released 4 eps on aus thus far, he makes his return in the form of a blazing, floor-focused 2 track ep which sits neatly with previous outings on the label. ‘the basement is burning’ takes it’s name from a near-fateful experience stemming from an electrical fire in hawkes’ home which culminated in him and his family being evacuated from a 5th floor balcony. having ensured the safety of his family, he made a dash across berlin to make a 10am live show, a few days later with the power back on ‘the basement is burning’ was born. the title track kicks off with splashy, live drum samples that are armoured with electronic layers before a feel-good piano lick glides into the mix. bursting synths are introduced before ducking strings chords bring the track to an ecstatic conclusion. ‘tower block boogie’ then tumbles short funk samples through bold drums as a fervid sense of tension burns throughout.

rohe und ungestüme wiederveröffentlichung einer raren salsa-platte von 1970.

banana hill is a london-based party helmed by cervo, and it s built a sterling reputation for embracing all manner of global grooves. now the party is spreading its wings by starting a record label that kicks off in fine style with the sound of multi-instrumentalist majid bakkas, a moroccan musician with many strings to his bow. both tracks on this 12- have been given a delicate shove in the direction of the dancefloor thanks to cervo, who pitches his kicks and claps just right to make for utterly natural sounding party fodder of the highest order.

having originally surfaced on dj deep s deeply rooted house label back in 2011, the appropriately named bleak brings his stern ekko track back into focus on his own naura label, inviting two titans of contemporary techno to do the remix business on the track. first up is skudge, who get things marching at an urgent pace with their usual knack for ear snagging sonic hooks and unrelenting kick drums. meanwhile markus suckut makes a more weighty interpretation of the track, slowing the tempo and adding all kinds of sub pressure to make for a truly killer workout. as a bonus, the original track is present on the b-side in all its mean-tempered glory.

2017 repress in regular sleeve.
it is time for the third owner of taapion records to make it on the spaceship. for the fifth release but mainly his first ep, awb presents two original tracks both remixed by his brothers in arms.

material crew on a va nailed by jamie, richie, mihalis and more.

initial listens to inre rymden (swedish for inner space) reveal it to be a curious combination of slow-motion house music and salubrious new age funk. in this case, first impressions are accurate, and they should intrigue you enough to dive deeper into the paradisiacal vistas tommy awards paint here. the opening track prometheus introduces that feeling of sundown deliquescence that very few musicians can summon, as it locks into a laid-back groove that induces utmost serenity, buoyed by sublimely mellow guitar vibes that should make fans of manuel gšttsching s ashra and phil manzanera s solo output spring to attention. draget conjures the sort of exquisite elegance and preternatural chill last heard on roxy musics 1982 lp avalon but somehow its even more blissed out than that boudoir classic. and so it goes for most of inre rymden: among the six tracks, only rexy hints at tension, courtesy of a bass line that sounds like it should score a prisoners walk to the electric chair. but thats tempered by guitar sighs of radiant melancholy, not unlike those lofted by popol vuh s daniel fichelscher. even when inre rymden gets relatively uptempo, as on hans logan, it still glides like gilded, glazed, balearic house jams, urged on by subliminal bongos and dappled with pastel guitar shimmers far off on the horizon. music is love and love is our music, runs tommy awards slogan (a sentiment beautifully echoed by david crosby on his revered 1971 album if i could only remember my name), but one could also argue that it is medicine a balmy ear massage that spreads healing frissons to all areas of your body and mind. tommy awards continue their miraculous act as scandinavians channeling the tropics with stunning audio verisimilitude.

mannella brings a rousing 12’’ ep, enclosing a sunil sharpe’s remix done with the forthright purpose of make you go ape. the original mix of “nibiru road” is a ever-changing techno story, told by a steady groove and such a badass kick-drum. a vitalizing ebb & flow of that rubbery synth and that melodic, a bit saturnine pad, that let you fly to the next planet. “fourth dimension” has been recorded from one of the live performance that mannella is doing under dahraxt alias. the hypnotic bubbly atmosphere created around that chopped pad, delivers this track to another dimension of delight, giving it a unexpected slant. sunil sharpe doesn’t need introduction, since his multiple releases on imprints such “trensmat”, “labrynth”, “mord”, “mindcut”, “inner surface”, “works the long night” , “black sun records” or his own “on the hoof” to name a few, have made him the well appreciated artist that today he’s. with this rework he confirms how much enthralling his charisma is. jts004 “it can only be attributable to human error.” cit.

the third record by vienna-based label secret crunch is ready to be unleashed. this time with various artists from all over europe.

sampling as an art is a concept: taking samples away from their origins forward something new, emotional or even funny. -le grand détrounement- was a movie made in the 90 s by great actors of french media -canal+-. it took several 50>80 s movies with classical american actors, cutting them and redubbing to make a big funny story. s3a records is delighted to welcome a new french artist, who wanted to make the same on his music with this project. s3a rec is very excited to present 6 tracks ep between minimal sampled house music and dirty hip hop!

distorted releases # 005, 006 & 007 all bundled up for one special price!

scar presents their first 4-track ep since the release of their debut album >the orkyd project<

sequel is about rebirth. its the culmination of everything i have loved, lost, learned and experienced in the last 10 years as a musician, he says. this cycle is the only constant factor in my music and my career, and by learning to accept it, ive come to terms with the music i make. this album is a reflection of who i am right now at this moment. it’s me, no compromise. embracing a fresh approach that combines the use of numerous pieces of analogue gear and recording his own samples in the field, the album represents the new sound of sql in its purest form. vital sales points: bloody great album with beautiful artwork. the one and only ro sakhardande of jukebox rocking the pr with many articles about the album confirmed.

in the collection ‘i got soul’, this new release, ‘groove wash’, is a reference to the movie ‘car wash’. same ingredients as the the previous volume : a bit of blaxploitation, some seventies soul mood, wah wah guitar and lots of groove !

limited coloured 180g vinyl, housed inside a gatefold jacket featuring the full score. comes with region free dvd and a download card.
death waltz is thrilled to announce an lp/dvd combo of abdullah, a short film released by ne er do well films, for record store day 2017. it’s a dark tale concerning the largely unknown underbelly of the city. abdullah is a lonely man, a turkish mini-cab driver in london who has been forgotten - by the city, by society, and by his own community. when abdullah picks up a new fare one night - a troubled young man who finally takes notice of him - things take a dark turn. as the two men make an undeniable connection, the question becomes clear: can abdullah change his fate or is he destined to be swallowed by his own loneliness?

dahlia is a new record label out of scandinavia. focused on bringing you deep dancefloor tracks from new and so far unknown producers. each record carefully put together to make a versatile arsenal of music. handy dj tools for warm up, peak-time and after-hours!

eric fetcher has been given the honour of contributing to invite’s choice and does so with a four-track banger for its ninth output.
kaissa’s neurotic synth and wobbly bass combined with its forceful hi-hat open this ep in a stripped-down fashion, which makes it perfect to build tension and make transitions in any dirfections while mixing. mephisto continues on the path chosen with coherent and hypnotising synthesis, whilst keeping a funky kind of feel due to the very present kick and hi-hats, yet has a darker feel to it. deep blue on the b-side is a more four-to-the-flour track with a rousing synth and banging hi-hat, perfect for lifting up a crowd! cray blitz combines hypnotising bleep-like sounds and a mind-blowing string with droning low-end sounds. hypnotising like the other tracks - but with more drive - this ep is closed down. eric fetcher showcases his take on techno which fits perfectly between both modern day and oldschool techno!

we once again have the pleasure of introducing a new unit comprised of some old friends to the world! luces is felix bloxsom, otherwise known as plastic plates, and caleb cornett, a.k.a. amtrac, and its here on lph that they make their debut with habitual ritual, a big-room epic with an undercurrent of classic deep house and disco vibes running through it. the three originals included in the package are driven, pumping whompers that crescendo and dissolve into breakdowns sublimely. the remix, by autofac (shit robot, juan maclean) is a dubby, stretch-out take on the titular track. prime-time fodder for club floors and pump-up mixes alike

panorama bar resident nick ho&#776,,,,ppner gets to work on his second solo album on ostgut ton, connecting the territories of house music with the ease of alt-pop. work as in labor. an axiom that fuels the capitalist system just as the techno/house scene economy says that one needs to keep oneself busy to make a living. as a musician, things are complicated of course. it’s a long way from the romantic idea of creating music simply for the sake of art to becoming a full time musician. those who have accomplished this feat often find themselves in a professional loop of writing the music, producing it, promoting it (with an info text like this), releasing it and then hopefully selling it. after leaving his full time job as ostgut ton’s label manager in 2012, nick ho&#776,,,,,,,,,,,,,,ppner went fully freelance, focusing on his musically diverse, deep and dynamic djing in and outside berghain’s panorama bar, but more importantly spending more time in the studio. the result was his critically acclaimed debut album folk (ostgut ton, 2015), various 12“ releases and remixes, and now his sophomore lp, work, which, more than ever, lays out his refined production skills and his talent to work the machines until they reveal their inner ghosts: nine new songs that now dodge the dance floor, then fully embrace it.

adult only 47 has arrived with pierre codarin dropping some funk on 3 originals alongside a remix from dan ghenacia and chris carrier.........a1 telefunk kicks off things and rolls with a wonky filtered drum pattern picking up a real swung groove before a subtle vocal is then joined by a bass line can only be described as something from a late night jazz workout in the deepest darkest realms of the parisian capitol...detroit style pads and intricate keys keep this groove interesting through out the track pushing it forward more and more with sweet drum edits and skips that are all to known from pierre. a2 morning eyes twists things up with trippy spacey pads and a very nice 303 sitting low in the mix. driving drums make this track work well as it draws to a stripped back moment where the 303 really comes through and does its thing. this really is 6 minutes of a funk fueled adult only workout!b1 telefunk remix dan ghenacia and chris carrier dan and chris bring their twist on pierre s telefunk coming through with a very interesting take on things producing a very tight rework........... b2 evening juice grooves along with a nice warped synth stabs, a bass line that throws it self around the room, the drum pattern keeps things energetic through out alongside a faintly obscure vocal fitting well in the track, evening juice brings the soul and finishes the ep nicely making this overall a very solid package from pierre.

nice price deal !!! unique compilation of house, minimal and techno combined with futuristic dance elements make this to a solid techhouse 3 track ep incl lopazz remix

house crime bounce back into the mix following the utterly essential steven bc release with this sixth jaunt through tough and rough beats from the backalley of the house music story, this time narrated by anthony fade. the drums are dirty distorted machine splatters, the synths wobble under the weight of their own fuzziness and the samples crunch like they fell prey to the ropiest of mpcs, and that s precisely why fade s jams are so damn hot. wild 9 (acid mix) is especially potent, using a simple but deadly 303 line and all kinds of hectic textures, and bout it manages to make melodic deep sound as mean and nasty as it ever should.

a bassline so infectious, how can you not move to that! killer boogie funk at its finest, will make you slide to the dance floor. by the time the vocal hits, your hands are in the air and the magic happens!

blue note is pleased to announce the release of legendary nigerian drummer tony allens new ep, a tribute to art blakey and the jazz messengers. the 4 titles featured in the ep moanin, the drum thunder suite, night in tunisia, politely provide a preview of his forthcoming first album for blue note (currently scheduled for release in autumn 2017) on which tony allen pays tribute to his longstanding idol, american jazz drummer art blakey.the ep s four titles and the other tracks that make up the album were recorded over three days in paris at the midilive studios, the former facility of the vogue label. the sessions were done in live conditions that saw tony allen and his 8-piece band together in the same room, with the sound channelled through 12 separate mikes onto 2-tape via a sony mci-jh24 analogue multi-track recorder.

“kosmos gets harder” series brings a new alternative sound of the label and shows dark sides of the artists you might thought you knew. tougher, harder, banger! the double vinyl release includes the full album on cd.

nice price deal !!! decalicious is like digitalism, a dj duo from hamburg. their sounds are electro-techno, funky and yet pretty bangin . judging by this second release, it looks like marc & hagen could well make a name for themselves fairly quickly. urlaub im süden basically is a catchy riff that rattles and rolls with solid highs and lows. it is coming out with a couple of remixes by larsz chaptier & fukkk offf and gets big support already from digitalism, azzido da bass, boris dlugosch, moonbootica, jerry bouthier, sono, malente, mstrkrft & gang bang.

one of the rarest funk 45s in existence and the rarest 45 on ellis taylor s forte label flipped with a previously unreleased acetate (has a little bit of background noise but what you gonna do when there is only one copy in the world, we did out best to make it sound good and it does). both tracks are stone cold deepfunk killers. super black is from the tapes and sounds amazing (better than the original) so go destroy a club with this.

“a safe place to be naked” is s. fidelity’s debut album, which will be released on may 5th via jakarta records. it features 12 tracks, capturing the producer’s quest for a fresh sound, which he elaborated over the last two years, locked in his tiny basement studio in berlin. evolving from there the he has also released an ep with feelin music in 2014, and “sidekicks”, a joint project with long-term friend and collaborator bluestaeb in 2016. by working with artists like tru thoughts singer harleighblu and label mate juju rogers as well as fellow producers bluestaeb and shuffle jack, his lp “a safe place to be naked” plays with sampled vocals and even his own voice – often distorted, but still present. s. fidelity was born in st. gallen, switzerland, mainly works in berlin and currently resides in london. as a producer he developed a unique and always driving sound, combining sampling techniques and classic beat making with unusual drum patterns, modern synth and atmospheric sound effects. s. fidelity’s laid-back eclecticism is marked by a deep knowledge and fascination for pop culture as a whole. his idea of fresh hiphop references to various genres, including jazz, ambient, disco and electronica. the lp contains an a2 poster & download code.

welcome to gully records second miscreant missive. brighton-based badman etch stepping up and coming incorrect with the chopped beats to make you screw. to be released on clear hand-numbered 7” vinyl as was deemed appropriate. “synapse cluster” is a proper slo-mo headbanger for the downtempo grunge-hop fan. deadly dankness. “labyrinthian contours” takes you on a journey of 3 stages. during the 3rd - time is reinvented. natch. this 7” single is a beautiful piece of work incorporating psychedelic art and cosmic numerology. look out for his full length double vinyl release on gully later this year.

nyc s disco powerhouse west end records should need no intro. the home of too-numerous-to-list club classics for over 30+ years is still impacting today on what we know to be club culture. the label started by one mel cheren (rip) with assistance from larry levan and more way back in 1976 is still held in such high regard today with it s catalogue constantly being played, rediscovered, reinterpreted and loved by waves and waves of new fans and admirers. the west end story vol. 2 is an essential overview of this most iconic of labels, following on it s from it s predecessor the quality bar is obviously set extremely high, one only has to look over the tracklist to see the names and titles that are included! cuts from loose joints, taana gardner, barbara mason, stone, raw silk and more make up 4 joyous sides of essential forward looking post disco classics - we re talking late 70 s, early 80 s, synths, mega overdubs, left-field arrangements and anything and everything in-between. a truly golden era of dance music history, names like arthur russell, kenton nix, walter gibbons and more make up some of the talent featured on this flawless selection of goodies. oh, and for the record (no pun intended) these are all the extended mixes, 12- versions and special cuts, all killer - no filler! all tracks featured re-mastered, re-pressed and re-released with the permission of and in conjunction with west end records, new york city / bmg

to forget the pursuit of harmony. to recall the past to make a future. forever seeing yourself reflected, feeding back in eternal repeating cycles. a dialog with oneself within the natural world. choosing a final destination as the journey ceaselessly repeats. i hope to share what ive experienced in this big journey. i hope you will feel both a sense of nostalgia, and a sense of newness. that makes our harmony. kazuomi eshima

reissue of this 1981 debut album by new age pioneer jd emmanuel. check! . texan musician jd emmanuel s career story is, in a way, a story about how the passion of fans can make a difference, about a gifted musician whose music may have been lost to the ages had it not been for the efforts of a new generation of vintage electronic and new age music enthusiasts and collectors.

limitiert und remastered: fünf nachpressungen vergriffener studio one bestseller. willkommen bei studio one, der university of reggae. mit studio one scorcher, studio one groups, studio one soul 2, studio one kings und sound dimension mojo rocksteady bringt das londoner label soul jazz fünf, ursprünglich zwischen 2002 und 2007 erschienene platten neu heraus.

impulsive? of course. hypnotic? sure! hip shaking? make a guess! cab drivers diving deep on this release. 3 tracks that will bring a nice mood to the floor with basslines and grooves you expect from this berlin based duo daniel paul & zky. play it loud to your crowd !

after 10 years of releasing on some of the most respected labels in the scene including 31 records, commercial suicide and samurai music, soul intent is to release his first solo album via his own imprint, lossless music. the album features collaborations with chromatic, jazz vocalist sue mae, as well as his old dataset band mate chris gittins.
in soul intent’s own words: “i wanted the make an album that had continuity but also showed all the vibes and styles i m into as a producer, dj and general lover of this music. hopefully it’s an album of substance and people enjoy the journey.”

the dawn signs the great return of chloé! after 4 years of absence as a producer, this new 12 inch announces the release of her third album planned for the fall 2017. dixons powerful remix will delight all panoramabar lovers and will make you dance all weekend long!

wage slave boss and founder attentat takes the company to the bank on this pummelling three tracker. techno built for cashing cheques and breaking necks with an extra added banker-bonus - one sick and twisted re-make of title track reflective surface by la based artist israel vines. big room techno that subverts the board room. you’re hired.